Targeting parody

#Targeting #parody

Parody songs have always been a powerful and legitimate form of political expression, especially in Kerala’s rich cultural tradition. Satire, exaggeration and musical parody are tools through which ordinary people question authority, expose hypocrisy and register dissent without violence. To suddenly brand parody as an offence, merely because it unsettles those in power or embarrasses a ruling dispensation, is a dangerous assault on freedom of expression. 

Devotional tunes, folk rhythms and popular songs have historically been adapted to comment on social and political realities, and this has never diminished faith or culture. On the contrary, it has strengthened public awareness. Treating parody as a crime is not moral policing, but political insecurity masquerading as hurt sentiment.

The latest outrage against parody songs appears less about protecting religious feelings and more about silencing criticism. If such complaints are entertained, it would open a slippery slope where legendary artists like Kalabhavan Mani and countless satire performers would be retrospectively branded offenders for doing exactly what society once applauded them for.

Thousands earn their livelihood today through parody content on television and digital platforms, and their work resonates because it reflects public perception. Targeting parody is an abnormal, undemocratic approach that betrays intolerance to humour and dissent. Those demanding police action are not defenders of faith or culture, but haters of criticism who fear the mirror that satire holds up before them.

-K A Solaman